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A delightful clap is quickly added in and the dark melody and bass create a wonderfully upbeat sound. “Q” takes off with its high pitched synths and thumping bass.
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Even though this one is a full three minutes long, it feels like it was over just too quickly. My favorite part of the song (other than that beastly intro) is probably the last thirty seconds, where the piano, percussions and a high pitched synth take us home. The quiet ‘whining’ synths sound so good, yet they are so faint and used so sparingly. Then after a bit of record scratching we’re introduced to a pleasant xylophone and the melodies are great. The horn and bass are so busy that the song definitely reminds you of a busy urban city. Soft strings can be heard singing lowly in the background. The piano is more pronounced just after a minute in and the song is carried by the bass, piano and horn. Then the bass kicks up and is fast and thumping. The percussions are low and sound fantastic beside the louder instruments. Light, melodic synths coast alongside the heavy bass and blaring horn. I won’t deny that this is my absolute favorite song on the disc. “Jazzy NYC” keeps the pace with its irresistible intro and groovy piano and horn. This song is undeniably mellow and beautiful. Then, all too quickly and without ever becoming repetitive, it’s over. Then lighter, ringing synths sound faintly in the background, while the bass continues to cruise along wickedly. The bass line is simply incredible at this part. A slight break down occurs and then intermittent synths began chiming lowly in the background. The flute is emphasized throughout, but bass and percussions take over after one and a half minutes into the song. The bass gets changes up and drives the song forward slowly while the percussions snap wildly and quickly. It seems both simple and complex at the same time. The new synths are quiet and smooth, and they’re introduced without breaking the momentum. The up-tempo percussions and beats fuse so well with the slow, hypnotic flute. Stuttering percussions and more melodic synths join in, quickly building up to a break down just one minute in. Instantly a captivating groove is created. Low synths ring beside the gorgeous Chinese flute and a rumbling bass rolls darkly beneath it all. The quiet but beautiful “Twilight “ starts things off nicely.
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The very important exception to this is Street Fighter III: 3 rd Strike, which sports a brilliantly diverse and masterfully crafted soundtrack.
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While the series has always been revered for its technical fighting system and highly competitive fan base, musically speaking it has never been anything to write home about.
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There are over a dozen Street Fighter games, the newest of which being Street Fighter X Tekken, which just launched earlier this month. The Street Fighter series is one of if not the single most influential series in the fighting genre. Hello everyone and welcome to ShockWave, where we enjoy terrific music from the vast world of video games.